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(used to express determination)

  • 1 shall

    ʃəl, ʃæl
    short forms - I'll, we'll; verb
    1) (used to form future tenses of other verbs when the subject is I or we: We shall be leaving tomorrow; I shall have arrived by this time tomorrow.) (se usa para formar el futuro)
    2) (used to show the speaker's intention: I shan't be late tonight.) (se usa para expresar la intención del hablante)
    3) (used in questions, the answer to which requires a decision: Shall I tell him, or shan't I?; Shall we go now?) debería/s/mos...
    4) (used as a form of command: You shall go if I say you must.) tener que, deber
    shall vb
    shall we go to the beach? ¿vamos a la playa?
    shall I get you a sandwich? ¿te preparo un bocadillo?
    tr[ʃæl, ʊnstressed ʃəl]
    2 (Used with 1st person sing & pl) (questions, offers, suggestions)
    shall I close the window? ¿cierro la ventana?
    shall I make some tea? ¿hago un poco de té?, ¿quieres que haga un poco de té?
    what shall we do today? ¿qué hacemos hoy?
    I'll carry it, shall I? lo llevaré yo, ¿quieres?
    let's go to the beach, shall we? vamos a la playa, ¿te parece?
    3 formal use (emphatic, command)
    shall ['ʃæl] v aux, past should ['ʃʊd] present s & pl shall
    you shall do as I say: harás lo que te digo
    we shall see: ya veremos
    when shall we expect you?: ¿cuándo te podemos esperar?
    you shall have the money: tendrás el dinero
    if he should die: si muriera
    if they should call, tell me: si llaman, dímelo
    he should have said it: debería haberlo dicho
    they should arrive soon: deben (de) llegar pronto
    why should he lie?: ¿porqué ha de mentir?
    v.
    deber v.
    ʃæl, weak forms ʃḷ, ʃəl

    I/we shall be very interested to see what happens — tendré/tendremos mucho interés en ver qué sucede

    we shan't be able to come — (BrE) no podremos or no vamos a poder venir

    b) (making suggestions, asking for assent) [The present tense is used in this type of question in Spanish]

    shall I open/close the window? — ¿abro/cierro la ventana?, ¿quieres (or quiere etc) que abra/cierre la ventana?

    shall we go out tonight? — ¿qué te (or le etc) parece si salimos esta noche?

    shall we dance? — ¿bailamos?

    I'll ask him, shall I? — le pregunto ¿sí? or ¿te (or le etc) parece?

    whatever shall we do? — (BrE) ¿qué podemos hacer?

    2) (with 2nd and 3rd persons) (in commands, promises etc)

    thou shalt not steal — ( Bib) no robarás

    [ʃæl]
    MODAL VB

    no I shall not (come), no I shan't (come) — no, yo no (vendré or voy a venir)

    shall I go now? — ¿me voy ahora?

    let's go in, shall we? — ¿entramos?

    shall we let him? — ¿se lo permitimos?

    shall we hear from you soon? — ¿te pondrás en contacto pronto?

    2) (in commands, emphatic)

    you shall pay for this! — ¡me las vas a pagar!

    "but I wanted to see him" - "and so you shall" — -pero quería verle -y le vas a ver

    * * *
    [ʃæl], weak forms [ʃḷ, ʃəl]

    I/we shall be very interested to see what happens — tendré/tendremos mucho interés en ver qué sucede

    we shan't be able to come — (BrE) no podremos or no vamos a poder venir

    b) (making suggestions, asking for assent) [The present tense is used in this type of question in Spanish]

    shall I open/close the window? — ¿abro/cierro la ventana?, ¿quieres (or quiere etc) que abra/cierre la ventana?

    shall we go out tonight? — ¿qué te (or le etc) parece si salimos esta noche?

    shall we dance? — ¿bailamos?

    I'll ask him, shall I? — le pregunto ¿sí? or ¿te (or le etc) parece?

    whatever shall we do? — (BrE) ¿qué podemos hacer?

    2) (with 2nd and 3rd persons) (in commands, promises etc)

    thou shalt not steal — ( Bib) no robarás

    English-spanish dictionary > shall

  • 2 С-540

    ВО ЧТО БЫ TO НИ СТАЛО ( Invar adv or, less often, nonagreeing modif usu. used with pfv infin (and a word expressing need, determination, intent etc) or with pfv fut fixed WO
    (used to express the necessity for sth., or the determination, desire etc of a person or group to accomplish sth.) regardless of what obstacles might arise or how difficult the undertaking might turn out to be
    whatever (no matter what) the cost
    at all costs no matter what cost what it might (do) whatever it takes (in limited contexts) come what may.
    Она сидела на перилах веранды, озаренная солнцем, сильная девушка, и ни капли не скрывала своего намерения во что бы то ни стало выжить (Искандер 3). She sat on the veranda railing, a strong young woman illuminated by the sun, and made no secret of the fact that she intended to survive, whatever the cost (3a).
    Батальонный командир Фабр получил приказ: защищать город во что бы то ни стало (Эренбург 4). Fabre, the commander of the battalion, had been given orders to defend the town at all costs (4a).
    Путь (в гимназию) был обставлен ритуалами, пронизан суеверием, заклятиями. Так, например, следовало не пропустить некоторых плиток на тротуаре, во что бы то ни стало ступить на них... Иначе в гимназии могли бы произойти несчастья — получение двойки или что-нибудь в этом роде (Олеша 3). That route (to school) was surrounded with rituals and run through with superstitions and incantations. Thus, for example, I couldn't omit certain sidewalk squares, but had to step in them no matter what...lest something unfortunate happen to me at school, such as getting a bad mark or something like that (3a).
    Претендент понял, что ему представился шанс. И решил во что бы то ни стало стать Директором (Зиновьев 4). Claimant understood that he now had a great opportunity. And he decided to become Director cost what it might (1a).
    И сейчас (в военное время) бабка решила во что бы то ни стало на пасху печь куличи (Кузнецов 1). And now, though it was wartime, my grandmother decided that, come what may, she was going to bake Easter cakes (1b).

    Большой русско-английский фразеологический словарь > С-540

  • 3 во что бы то ни стало

    [Invar; adv or, less often, nonagreeing modif; usu. used with pfv infin (and a word expressing need, determination, intent etc) or with pfv fut; fixed WO]
    =====
    (used to express the necessity for sth., or the determination, desire etc of a person or group to accomplish sth.) regardless of what obstacles might arise or how difficult the undertaking might turn out to be:
    - whatever < no matter what> the cost;
    - [in limited contexts] come what may.
         ♦ Она сидела на перилах веранды, озаренная солнцем, сильная девушка, и ни капли не скрывала своего намерения во что бы то ни стало выжить (Искандер 3). She sat on the veranda railing, a strong young woman illuminated by the sun, and made no secret of the fact that she intended to survive, whatever the cost (3a).
         ♦ Батальонный командир Фабр получил приказ: защищать город во что бы то ни стало (Эренбург 4). Fabre, the commander of the battalion, had been given orders to defend the town at all costs (4a).
         Путь [в гимназию] был обставлен ритуалами, пронизан суеверием, заклятиями. Так, например, следовало не пропустить некоторых плиток на тротуаре, во что бы то ни стало ступить на них... Иначе в гимназии могли бы произойти несчастья - получение двойки или что-нибудь в этом роде (Олеша 3). That route [to school] was surrounded with rituals and run through with superstitions and incantations. Thus, for example, I couldn't omit certain sidewalk squares, but had to step in them no matter what...lest something unfortunate happen to me at school, such as getting a bad mark or something like that (За).
         ♦ Претендент понял, что ему представился шанс. И решил во что бы то ни стало стать Директором (Зиновьев 4). Claimant understood that he now had a great opportunity. And he decided to become Director cost what it might (1a).
         ♦ И сейчас [в военное время] бабка решила во что бы то ни стало на пасху печь куличи (Кузнецов 1). And now, though it was wartime, my grandmother decided that, come what may, she was going to bake Easter cakes (1b).

    Большой русско-английский фразеологический словарь > во что бы то ни стало

  • 4 П-50

    ПАН ИЛИ ПРОПАЛ ИЛИ (ЛЙБО) ПАН, ИЛИ (ЛЙБО) ПРОПАЛ (saying) (used to express a person's determination to risk everything in the hope of achieving success, obtaining sth. etc) either one will achieve all one wishes for, gain everything, or he will suffer total failure and lose everything: - (itfs) all (neck) or nothing (itfs) sink or swim (in limited contexts) it will make me (you etc) or break me (you etc).
    Рок, судьба, случай? Называйте как хотите... но то, что он, переведя дух, остановился именно перед нею (вывеской издательства), имело для него решающие последствия. Пан или пропал! (Максимов 2). Fate, destiny, chance0 Call it what you like...but the fact that he stopped to catch his breath in front of that sign (the signboard of the publishing house) was to have decisive consequences. It was all or nothing (2a).
    (Купавина:) Чудо, как ты мила! Уж разве он (Лыняев) каменный, а то как бы, кажется... (В двери.) Тетя, прикажите обедать подавать. Да вот и Михайло Борисыч (Лыняев) идет. (Глафира:) Подождите меня, я сейчас. Ну! Либо пан, либо пропал! (Островский 5). (К.:) It's wonderful how pretty you are! Unless he's (Lynyayev is) made of stone, then, seems to me... (At the door) Auntie, tell them to serve dinner And here comes Mikhail Borisovich (Lynyayev). (G.:) Wait for me
    I'll be there right off. Well! Neck or nothing! (5a).
    В «поиске», когда захватывающая группа в пять-шесть человек кидается в немецкую траншею, вообще не до хитростей -тут уж либо пан, либо пропал, а подержишься, побережешься, погубишь и себя, и всех (Распутин 2). When а party of five or six men throws itself at a German trench, there's no time for niceties anyway-it's all sink or swim, and if you hold back and try to cover yourself you'll destroy yourself and the others too (2a).

    Большой русско-английский фразеологический словарь > П-50

  • 5 или пан или пропал

    ПАН ИЛИ ПРОПАЛ; ИЛИ < ЛИБО> ПАН, ИЛИ < ЛИБО> ПРОПАЛ
    [saying]
    =====
    (used to express a person's determination to risk everything in the hope of achieving success, obtaining sth. etc) either one will achieve all one wishes for, gain everything, or he will suffer total failure and lose everything:
    - (it's) all < neck> or nothing;
    - [in limited contexts] it will make me (you etc) or break me (you etc).
         ♦ Рок, судьба, случай? Называйте как хотите... но то, что он, переведя дух, остановился именно перед нею [вывеской издательства], имело для него решающие последствия. Пан или пропал! (Максимов 2). Fate, destiny, chance? Call it what you like...but the fact that he stopped to catch his breath in front of that sign [the signboard of the publishing house] was to have decisive consequences. It was all or nothing (2a).
         ♦ [Купавина:] Чудо, как ты мила! Уж разве он [Лыняев] каменный, а то как бы, кажется... (в двери.) Тетя, прикажите обедать подавать. Да вот и Михайло Борисыч [Лыняев] идет. [Глафира:] Подождите меня, я сейчас. Ну! Либо пан, либо пропал! (Островский 5). [К.:] It's wonderful how pretty you are! Unless he's [Lynyayev is] made of stone, then, seems to me... (At the door) Auntie, tell them to serve dinner And here comes Mikhail Borisovich [Lynyayev]. [G.:] Wait for me; I'll be there right off. Well! Neck or nothing! (5a).
         ♦ В "поиске", когда захватывающая группа в пять-шесть человек кидается в немецкую траншею, вообще не до хитростей - тут уж либо пан, либо пропал, а подержишься, побережешься, погубишь и себя, и всех (Распутин 2). When a party of five or six men throws itself at a German trench, there's no time for niceties anyway-it's all sink or swim, and if you hold back and try to cover yourself you'll destroy yourself and the others too (2a).

    Большой русско-английский фразеологический словарь > или пан или пропал

  • 6 или пан, или пропал

    ПАН ИЛИ ПРОПАЛ; ИЛИ < ЛИБО> ПАН, ИЛИ < ЛИБО> ПРОПАЛ
    [saying]
    =====
    (used to express a person's determination to risk everything in the hope of achieving success, obtaining sth. etc) either one will achieve all one wishes for, gain everything, or he will suffer total failure and lose everything:
    - (it's) all < neck> or nothing;
    - [in limited contexts] it will make me (you etc) or break me (you etc).
         ♦ Рок, судьба, случай? Называйте как хотите... но то, что он, переведя дух, остановился именно перед нею [вывеской издательства], имело для него решающие последствия. Пан или пропал! (Максимов 2). Fate, destiny, chance? Call it what you like...but the fact that he stopped to catch his breath in front of that sign [the signboard of the publishing house] was to have decisive consequences. It was all or nothing (2a).
         ♦ [Купавина:] Чудо, как ты мила! Уж разве он [Лыняев] каменный, а то как бы, кажется... (в двери.) Тетя, прикажите обедать подавать. Да вот и Михайло Борисыч [Лыняев] идет. [Глафира:] Подождите меня, я сейчас. Ну! Либо пан, либо пропал! (Островский 5). [К.:] It's wonderful how pretty you are! Unless he's [Lynyayev is] made of stone, then, seems to me... (At the door) Auntie, tell them to serve dinner And here comes Mikhail Borisovich [Lynyayev]. [G.:] Wait for me; I'll be there right off. Well! Neck or nothing! (5a).
         ♦ В "поиске", когда захватывающая группа в пять-шесть человек кидается в немецкую траншею, вообще не до хитростей - тут уж либо пан, либо пропал, а подержишься, побережешься, погубишь и себя, и всех (Распутин 2). When a party of five or six men throws itself at a German trench, there's no time for niceties anyway-it's all sink or swim, and if you hold back and try to cover yourself you'll destroy yourself and the others too (2a).

    Большой русско-английский фразеологический словарь > или пан, или пропал

  • 7 либо пан либо пропал

    ПАН ИЛИ ПРОПАЛ; ИЛИ < ЛИБО> ПАН, ИЛИ < ЛИБО> ПРОПАЛ
    [saying]
    =====
    (used to express a person's determination to risk everything in the hope of achieving success, obtaining sth. etc) either one will achieve all one wishes for, gain everything, or he will suffer total failure and lose everything:
    - (it's) all < neck> or nothing;
    - [in limited contexts] it will make me (you etc) or break me (you etc).
         ♦ Рок, судьба, случай? Называйте как хотите... но то, что он, переведя дух, остановился именно перед нею [вывеской издательства], имело для него решающие последствия. Пан или пропал! (Максимов 2). Fate, destiny, chance? Call it what you like...but the fact that he stopped to catch his breath in front of that sign [the signboard of the publishing house] was to have decisive consequences. It was all or nothing (2a).
         ♦ [Купавина:] Чудо, как ты мила! Уж разве он [Лыняев] каменный, а то как бы, кажется... (в двери.) Тетя, прикажите обедать подавать. Да вот и Михайло Борисыч [Лыняев] идет. [Глафира:] Подождите меня, я сейчас. Ну! Либо пан, либо пропал! (Островский 5). [К.:] It's wonderful how pretty you are! Unless he's [Lynyayev is] made of stone, then, seems to me... (At the door) Auntie, tell them to serve dinner And here comes Mikhail Borisovich [Lynyayev]. [G.:] Wait for me; I'll be there right off. Well! Neck or nothing! (5a).
         ♦ В "поиске", когда захватывающая группа в пять-шесть человек кидается в немецкую траншею, вообще не до хитростей - тут уж либо пан, либо пропал, а подержишься, побережешься, погубишь и себя, и всех (Распутин 2). When a party of five or six men throws itself at a German trench, there's no time for niceties anyway-it's all sink or swim, and if you hold back and try to cover yourself you'll destroy yourself and the others too (2a).

    Большой русско-английский фразеологический словарь > либо пан либо пропал

  • 8 либо пан, либо пропал

    ПАН ИЛИ ПРОПАЛ; ИЛИ < ЛИБО> ПАН, ИЛИ < ЛИБО> ПРОПАЛ
    [saying]
    =====
    (used to express a person's determination to risk everything in the hope of achieving success, obtaining sth. etc) either one will achieve all one wishes for, gain everything, or he will suffer total failure and lose everything:
    - (it's) all < neck> or nothing;
    - [in limited contexts] it will make me (you etc) or break me (you etc).
         ♦ Рок, судьба, случай? Называйте как хотите... но то, что он, переведя дух, остановился именно перед нею [вывеской издательства], имело для него решающие последствия. Пан или пропал! (Максимов 2). Fate, destiny, chance? Call it what you like...but the fact that he stopped to catch his breath in front of that sign [the signboard of the publishing house] was to have decisive consequences. It was all or nothing (2a).
         ♦ [Купавина:] Чудо, как ты мила! Уж разве он [Лыняев] каменный, а то как бы, кажется... (в двери.) Тетя, прикажите обедать подавать. Да вот и Михайло Борисыч [Лыняев] идет. [Глафира:] Подождите меня, я сейчас. Ну! Либо пан, либо пропал! (Островский 5). [К.:] It's wonderful how pretty you are! Unless he's [Lynyayev is] made of stone, then, seems to me... (At the door) Auntie, tell them to serve dinner And here comes Mikhail Borisovich [Lynyayev]. [G.:] Wait for me; I'll be there right off. Well! Neck or nothing! (5a).
         ♦ В "поиске", когда захватывающая группа в пять-шесть человек кидается в немецкую траншею, вообще не до хитростей - тут уж либо пан, либо пропал, а подержишься, побережешься, погубишь и себя, и всех (Распутин 2). When a party of five or six men throws itself at a German trench, there's no time for niceties anyway-it's all sink or swim, and if you hold back and try to cover yourself you'll destroy yourself and the others too (2a).

    Большой русско-английский фразеологический словарь > либо пан, либо пропал

  • 9 пан или пропал

    ПАН ИЛИ ПРОПАЛ; ИЛИ < ЛИБО> ПАН, ИЛИ < ЛИБО> ПРОПАЛ
    [saying]
    =====
    (used to express a person's determination to risk everything in the hope of achieving success, obtaining sth. etc) either one will achieve all one wishes for, gain everything, or he will suffer total failure and lose everything:
    - (it's) all < neck> or nothing;
    - [in limited contexts] it will make me (you etc) or break me (you etc).
         ♦ Рок, судьба, случай? Называйте как хотите... но то, что он, переведя дух, остановился именно перед нею [вывеской издательства], имело для него решающие последствия. Пан или пропал! (Максимов 2). Fate, destiny, chance? Call it what you like...but the fact that he stopped to catch his breath in front of that sign [the signboard of the publishing house] was to have decisive consequences. It was all or nothing (2a).
         ♦ [Купавина:] Чудо, как ты мила! Уж разве он [Лыняев] каменный, а то как бы, кажется... (в двери.) Тетя, прикажите обедать подавать. Да вот и Михайло Борисыч [Лыняев] идет. [Глафира:] Подождите меня, я сейчас. Ну! Либо пан, либо пропал! (Островский 5). [К.:] It's wonderful how pretty you are! Unless he's [Lynyayev is] made of stone, then, seems to me... (At the door) Auntie, tell them to serve dinner And here comes Mikhail Borisovich [Lynyayev]. [G.:] Wait for me; I'll be there right off. Well! Neck or nothing! (5a).
         ♦ В "поиске", когда захватывающая группа в пять-шесть человек кидается в немецкую траншею, вообще не до хитростей - тут уж либо пан, либо пропал, а подержишься, побережешься, погубишь и себя, и всех (Распутин 2). When a party of five or six men throws itself at a German trench, there's no time for niceties anyway-it's all sink or swim, and if you hold back and try to cover yourself you'll destroy yourself and the others too (2a).

    Большой русско-английский фразеологический словарь > пан или пропал

  • 10 mostrar

    v.
    1 to show.
    mostró su satisfacción por la concesión del premio she expressed pleasure at having been awarded the prize
    Ella muestra la mercadería She shows the goods for sale.
    Ella le muestra a Sue la ropa She shows Sue the clothes.
    Ella muestra valor She shows courage.
    2 to point out, to indicate, to point at.
    Ella muestra los defectos She points out defects.
    3 to evidence, to represent, to display, to exteriorize.
    Ella mostró culpa She evidenced guilt.
    4 to prove to.
    Ella muestra ser muy buena She proves to be very good.
    * * *
    1 to show
    2 (exponer) to exhibit, display
    3 (señalar) to point out, explain
    1 to appear
    2 (ser) be; (resultar ser) to prove to be, turn out to be
    * * *
    verb
    * * *
    1.
    VT (=señalar, explicar) to show; (=exponer) to display, exhibit

    mostrar en pantalla — (Inform) to display

    2.
    See:
    * * *
    1.
    verbo transitivo
    a) (enseñar, indicar) to show
    b) <interés/entusiasmo> to show, display (frml)
    2.
    mostrarsev pron (+ compl)

    nunca se ha mostrado agresivo con élshe's never displayed o shown any aggression toward(s) him

    * * *
    = betray, bring to + the attention, display, evidence, exhibit, manifest, reveal, show, disclose, give + evidence, showcase, flash, hold up, report, parade.
    Ex. Deliberately to pay less attention to a query because it comes from the mayor of the city, or the chairman of the company, or the vice-chancellor of the university, would betray a perversity foreign to the normal well-adjusted librarian.
    Ex. Many displays are changed from time to time (for example, once a week, or once a month) so that various sections of the stock may be brought to the attention of the library's public over a period of time.
    Ex. The command function 'DISPLAY' is used to display a list of alphabetically linked terms.
    Ex. Although in this case there is no SLIS presence in the teaching, it is noteworthy that the same concern as that evidenced in the City University programme is present.
    Ex. These headings, therefore, in addition to exhibiting a bias in favor of the majority, actively hinder access.
    Ex. A catalog, on the other hand, should manifest the attributes of a data base.
    Ex. A study of the major general schemes reveals a wide gulf between theory, as outlined in the previous chapter, and practice, as reflected in the major schemes.
    Ex. This shows a record in an abstracts based bibliographic data base.
    Ex. In the cafeteria, she disclosed to him what had happened at her meeting with Jay.
    Ex. No conclusive evidence is given in support of digitising over other storage media.
    Ex. Officially known as SOLEX, this exhibition showcases mainly IT based products for the legal profession.
    Ex. Since Disc #1 is not in the CD-ROM drive the system 'queues' your requests by placing it into the 'disc queue' (shown flashing below).
    Ex. Banning's decision to hold up Madison and Jefferson as models without discussing in some depth the practical ways in which they politicked shortchanges the reader.
    Ex. Criticism is not appropriate in a style which aims to report, but not comment upon the content of the original document.
    Ex. A boy was paraded naked with "I am thief" written on his stomach and back for allegedly stealing a dress from a boutique where he worked.
    ----
    * mostrar afecto = show + affection.
    * mostrar asombro = raise + eyebrows.
    * mostrar claramente = show + clearly.
    * mostrar contraste = show + contrast.
    * mostrar de nuevo = redisplay.
    * mostrar determinación = show + determination.
    * mostrar ejemplos = highlight + examples.
    * mostrar el camino = blaze + the way, light + the way.
    * mostrar el camino a seguir = point + the way forward.
    * mostrar el camino para = point + the way to, show + the way to.
    * mostrar el prompt del sistema = prompt.
    * mostrar en pantalla = display + on screen, screen.
    * mostrar extrañeza = raise + eyebrows.
    * mostrar gratitud = show + gratitude.
    * mostrar incredulidad = express + disbelief.
    * mostrar indiferencia = give + Nombre + the cold shoulder, turn + a cold shoulder to, cold-shoulder.
    * mostrar interés = mark + interest.
    * mostrar interés en = show + interest in.
    * mostrar interés por = express + interest in.
    * mostrar las diferencias = turn up + differences.
    * mostrar las razones por las que = show + cause why.
    * mostrar lealtad = show + loyalty.
    * mostrar los dientes = show + Posesivo + teeth, bare + Posesivo + teeth.
    * mostrar los resultados = display + results.
    * mostrar los sentimientos de Uno = wear + Posesivo + heart on + Posesivo + sleeve, show + Posesivo + feelings.
    * mostrar los términos relacionados = expand.
    * mostrar miedo = show + fear.
    * mostrar orgullosamente = show off.
    * mostrar poderío = flex + Posesivo + muscles.
    * mostrar por medio de cambio de intensidad en el brillo = flash up.
    * mostrar por primera vez = premiere.
    * mostrar + Posesivo + agradecimiento = pay + Posesivo + respects.
    * mostrar + Posesivo + sincero agradecimiento = pay + Posesivo + deep respects.
    * mostrar posibilidades = show + potential.
    * mostrar preferencia por = slant.
    * mostrar preocupación (por) = express + concern (at), express + Posesivo + dismay (at).
    * mostrar respeto = show + respect.
    * mostrar satisfacción = express + satisfaction.
    * mostrarse = appear.
    * mostrarse como Uno realmente es = show + Reflexivo + in + Posesivo + true colours, reveal + Posesivo + true colours, show + Posesivo + true colours.
    * mostrarse indiferente = give + Nombre + the cold shoulder, turn + a cold shoulder to, cold-shoulder.
    * mostrarse reacio a = baulk at [balk at].
    * mostrarse vulnerable = leave + Nombre/Reflexivo + vulnerable.
    * mostrar signos de = show + signs of.
    * mostrar sorpresa = raise + eyebrows, register + surprise.
    * mostrar temor = show + fear.
    * orden de mostrar los términos relacionados = expand command.
    * resultados + mostrar = results + show.
    * volver a mostrar = redisplay.
    * * *
    1.
    verbo transitivo
    a) (enseñar, indicar) to show
    b) <interés/entusiasmo> to show, display (frml)
    2.
    mostrarsev pron (+ compl)

    nunca se ha mostrado agresivo con élshe's never displayed o shown any aggression toward(s) him

    * * *
    = betray, bring to + the attention, display, evidence, exhibit, manifest, reveal, show, disclose, give + evidence, showcase, flash, hold up, report, parade.

    Ex: Deliberately to pay less attention to a query because it comes from the mayor of the city, or the chairman of the company, or the vice-chancellor of the university, would betray a perversity foreign to the normal well-adjusted librarian.

    Ex: Many displays are changed from time to time (for example, once a week, or once a month) so that various sections of the stock may be brought to the attention of the library's public over a period of time.
    Ex: The command function 'DISPLAY' is used to display a list of alphabetically linked terms.
    Ex: Although in this case there is no SLIS presence in the teaching, it is noteworthy that the same concern as that evidenced in the City University programme is present.
    Ex: These headings, therefore, in addition to exhibiting a bias in favor of the majority, actively hinder access.
    Ex: A catalog, on the other hand, should manifest the attributes of a data base.
    Ex: A study of the major general schemes reveals a wide gulf between theory, as outlined in the previous chapter, and practice, as reflected in the major schemes.
    Ex: This shows a record in an abstracts based bibliographic data base.
    Ex: In the cafeteria, she disclosed to him what had happened at her meeting with Jay.
    Ex: No conclusive evidence is given in support of digitising over other storage media.
    Ex: Officially known as SOLEX, this exhibition showcases mainly IT based products for the legal profession.
    Ex: Since Disc \#1 is not in the CD-ROM drive the system 'queues' your requests by placing it into the 'disc queue' (shown flashing below).
    Ex: Banning's decision to hold up Madison and Jefferson as models without discussing in some depth the practical ways in which they politicked shortchanges the reader.
    Ex: Criticism is not appropriate in a style which aims to report, but not comment upon the content of the original document.
    Ex: A boy was paraded naked with "I am thief" written on his stomach and back for allegedly stealing a dress from a boutique where he worked.
    * mostrar afecto = show + affection.
    * mostrar asombro = raise + eyebrows.
    * mostrar claramente = show + clearly.
    * mostrar contraste = show + contrast.
    * mostrar de nuevo = redisplay.
    * mostrar determinación = show + determination.
    * mostrar ejemplos = highlight + examples.
    * mostrar el camino = blaze + the way, light + the way.
    * mostrar el camino a seguir = point + the way forward.
    * mostrar el camino para = point + the way to, show + the way to.
    * mostrar el prompt del sistema = prompt.
    * mostrar en pantalla = display + on screen, screen.
    * mostrar extrañeza = raise + eyebrows.
    * mostrar gratitud = show + gratitude.
    * mostrar incredulidad = express + disbelief.
    * mostrar indiferencia = give + Nombre + the cold shoulder, turn + a cold shoulder to, cold-shoulder.
    * mostrar interés = mark + interest.
    * mostrar interés en = show + interest in.
    * mostrar interés por = express + interest in.
    * mostrar las diferencias = turn up + differences.
    * mostrar las razones por las que = show + cause why.
    * mostrar lealtad = show + loyalty.
    * mostrar los dientes = show + Posesivo + teeth, bare + Posesivo + teeth.
    * mostrar los resultados = display + results.
    * mostrar los sentimientos de Uno = wear + Posesivo + heart on + Posesivo + sleeve, show + Posesivo + feelings.
    * mostrar los términos relacionados = expand.
    * mostrar miedo = show + fear.
    * mostrar orgullosamente = show off.
    * mostrar poderío = flex + Posesivo + muscles.
    * mostrar por medio de cambio de intensidad en el brillo = flash up.
    * mostrar por primera vez = premiere.
    * mostrar + Posesivo + agradecimiento = pay + Posesivo + respects.
    * mostrar + Posesivo + sincero agradecimiento = pay + Posesivo + deep respects.
    * mostrar posibilidades = show + potential.
    * mostrar preferencia por = slant.
    * mostrar preocupación (por) = express + concern (at), express + Posesivo + dismay (at).
    * mostrar respeto = show + respect.
    * mostrar satisfacción = express + satisfaction.
    * mostrarse = appear.
    * mostrarse como Uno realmente es = show + Reflexivo + in + Posesivo + true colours, reveal + Posesivo + true colours, show + Posesivo + true colours.
    * mostrarse indiferente = give + Nombre + the cold shoulder, turn + a cold shoulder to, cold-shoulder.
    * mostrarse reacio a = baulk at [balk at].
    * mostrarse vulnerable = leave + Nombre/Reflexivo + vulnerable.
    * mostrar signos de = show + signs of.
    * mostrar sorpresa = raise + eyebrows, register + surprise.
    * mostrar temor = show + fear.
    * orden de mostrar los términos relacionados = expand command.
    * resultados + mostrar = results + show.
    * volver a mostrar = redisplay.

    * * *
    vt
    1 (enseñar, indicar) to show
    todavía no me has mostrado las fotos you still haven't shown me the photographs
    ¿me podría mostrar esa blusa roja? could I see o could you show me that red blouse?
    les mostró el camino que debían seguir he showed them which way to go, he pointed the route out to them
    muéstrame cómo funciona show me how it works
    2 ‹interés/entusiasmo› to show, display ( frml)
    mostró su preocupación por la publicidad que se le había dado al caso he showed concern at the publicity the case had received
    (+ compl):
    se mostró muy atento con nosotros he looked after us very well, he showed us great kindness ( frml)
    se mostró muy contento he was very happy
    se mostraron partidarios de la propuesta they expressed support for the proposal
    nunca se ha mostrado agresivo con él she's never displayed o shown any aggression toward(s) him, she's never been at all aggressive (in her behavior) toward(s) him
    * * *

     

    mostrar ( conjugate mostrar) verbo transitivo
    to show;

    mostrarse verbo pronominal (+ compl): se mostró muy atento con nosotros he was very obliging (to us);
    se mostraron partidarios de la propuesta they expressed support for the proposal
    mostrar verbo transitivo to show: muéstrame el camino, show me the way

    ' mostrar' also found in these entries:
    Spanish:
    acusar
    - comenzar
    - congelamiento
    - decir
    - despegar
    - desvivirse
    - repaso
    - revelar
    - enseñar
    - les
    - orientar
    - pasar
    - presentar
    - protestar
    - voluntad
    English:
    colour
    - develop
    - display
    - embarrassing
    - exhibit
    - flash
    - muster
    - present
    - read
    - register
    - reveal
    - show
    - way
    - feature
    - flex
    - take
    * * *
    vt
    1. [objeto] to show;
    me mostró su colección de sellos he showed me his stamp collection;
    el macho muestra su plumaje a la hembra the male displays his plumage to the female
    2. [sentimiento] to show;
    mostró su satisfacción por la concesión del premio she expressed pleasure at having been awarded the prize
    3. [demostrar] to show;
    muéstranos cómo se pone en marcha show us how to start it;
    te mostraré que lo que digo es verdad I'll show you o prove to you that what I'm saying is true
    * * *
    v/t show
    * * *
    mostrar {19} vt
    1) : to show
    2) exhibir: to exhibit, to display
    * * *
    mostrar vb to show [pt. showed; pp. shown]

    Spanish-English dictionary > mostrar

  • 11 will

    will [wɪl]
       a. (future)
    ━━━━━━━━━━━━━━━━━
    ► When will or 'll is used to form the future, it is often translated by the future tense.
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
    ► In the following examples the main verb is future, the other is present: in French both verbs must be in the future tense.
    ━━━━━━━━━━━━━━━━━
    what will he do when he finds out? qu'est-ce qu'il fera lorsqu'il s'en apercevra ?
    ━━━━━━━━━━━━━━━━━
    ► When will or 'll indicates the more immediate future, aller + verb is used.
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
    ► When will or won't is used in short replies, no verb is used in French.
    ━━━━━━━━━━━━━━━━━
    will he come too? -- yes he will est-ce qu'il viendra aussi ? -- oui
    I'll go with you -- oh no you won't! je vais vous accompagner -- non, certainement pas !
    ━━━━━━━━━━━━━━━━━
    ► When won't is used in question tags, eg won't it, won't you the translation is often n'est-ce pas.
    ━━━━━━━━━━━━━━━━━
    you will come to see us, won't you? vous viendrez nous voir, n'est-ce pas ?
    that'll be okay, won't it? ça ira, n'est-ce pas ?
    ━━━━━━━━━━━━━━━━━
    ► When future meaning is made clear by words like tomorrow, or next week, the present tense can also be used in French.
    ━━━━━━━━━━━━━━━━━
    he'll be here tomorrow il arrive or il arrivera demain
    I'll phone you tonight je t'appelle or je t'appellerai ce soir
    will have + past participle
    ━━━━━━━━━━━━━━━━━
    ► When will indicates that something commonly happens, the present is used in French.
    ━━━━━━━━━━━━━━━━━
    the car will do 150km/h cette voiture fait du 150 km/h
       d. (requests, orders)
    ━━━━━━━━━━━━━━━━━
    ► The present tense of vouloir is often used.
    ━━━━━━━━━━━━━━━━━
    will you be quiet! veux-tu (bien) te taire !
    will you please sit down! voulez-vous vous asseoir, s'il vous plaît !
    will you help me? -- yes I will tu veux m'aider ? -- oui, je veux bien
    will you promise to be careful? tu me promets de faire attention ?
    won't ( = refuse(s) to)
    will you promise? -- no I won't tu me le promets ? -- non
       e. (invitations, offers) will you have a cup of coffee? voulez-vous prendre un café ?
    will you join us for a drink? voulez-vous prendre un verre avec nous ?
    won't you come with us? vous ne voulez pas venir (avec nous) ?
    preterite, past participle
       b. ( = bequeath) to will sth to sb léguer qch à qn
    3. noun
       a. ( = determination) volonté f
       b. ( = document) testament m
    the last will and testament of... les dernières volontés de...
    * * *
    I 1. [wɪl, əl]
    modal auxiliary

    she'll help you — elle t'aidera; ( in the near future) elle va t'aider

    2) (expressing consent, willingness)

    ‘will you help me?’ - ‘yes, I will’ — ‘est-ce que tu m'aideras?’ - ‘oui, bien sûr’

    ‘have a chocolate’ - ‘thank you, I will’ — ‘prends un chocolat’ - ‘volontiers, merci’

    do what ou as you will — fais ce que tu veux

    will do! — (colloq) d'accord!

    3) (in commands, requests)

    will you pass the salt, please? — est-ce que tu peux me passer le sel, s'il te plaît?

    ‘I can give the speech’ - ‘you will not!’ — ‘je peux faire le discours’ - ‘pas question!’

    ‘I'll do it’ - ‘no you won't’ — ‘je vais le faire’ - ‘il n'en est pas question’

    4) (in offers, invitations)

    you'll have another cake, won't you? — vous prendrez bien un autre gâteau?

    any teacher will tell you that... — n'importe quel professeur te dira que...

    these things will happen — ce sont des choses qui arrivent; ( in exasperation)

    2.
    1) ( urge)
    2) (wish, desire) vouloir
    3) Law léguer
    3. II 1. [wɪl]
    1) volonté f ( to do de faire)

    to have a strong/weak will — avoir beaucoup/peu de volonté

    2) Law testament m
    2.
    at will adverbial phrase [select, take] à volonté
    ••

    where there's a will there's a wayProv quand on veut on peut Prov

    English-French dictionary > will

  • 12 ङु _ṅu

    ङु 1 Ā. (ङवते) To sound. together; (in this sense it is used with each of the words or assertions which it joins together; or it is used after the last of the words or assertions so joined but it never stands first in a sentence); मनो निष्ठाशून्यं भ्रमति च किमप्यालिखति च Māl.1.31; तौ गुरुर्गुरुपत्नी च प्रीत्या प्रतिननन्दतुः R.1.57; Ms.1.64;3.5; कुलेन कान्त्या वयसा नवेन गुणैश्च तैस्तैर्विनयप्रधानैः R.6.79; Ms.1.15;3.116.
    -2 Disjunction (but, still, yet); शान्तमिदमाश्रमपदं स्फुरति च बाहुः Ś.1.14.
    -3 Certainly, determination, (indeed certainly, exactly, quite, having the force of एव); अतीतः पन्थानं तव च महिमा वाङ्मनसयोः G. M.; ते तु यावन्त एवाजौ तावांश्च ददृशे स तैः R.12.45.
    -4 Condition (if = चेत्); जीवितुं चेच्छसे (= इच्छसे चेद्) मूढ हेतुं मे गदतः शृणु Mb; लोभ- श्चास्ति (अस्ति चेद्) गुणेन किम् Bh.2.45 v. l.
    -5 It is often used expletively (पादपूरणार्थे); भीमः पार्थस्तथैव च G. M. (Lexicographers give, besides the above, the following senses of
    which are included in the general idea of copulation; 1 अन्वाचय joining a subordinate fact with a principal one; भो भिक्षामट गां चानय; see अन्वाचय.
    -2 समा- हार collective combination; as पाणी च पादौ च पाणिपादम्
    -3 इतरेतरयोग or mutual connection; as प्लक्षश्च न्यग्रोधश्च प्लक्ष- न्यग्रोधौ.
    -4 समुच्चय aggregation; as पचति च पठति च). च is frequently repeated with two assertions (1) in the sense of 'on the one hand-on the other hand', 'though-yet', to denote antithesis; न सुलभा सफलेन्दुमुखी च सा किमपि चेद- मनङ्गविचेष्टितम् V.2.9;4.3; R.16.7; or (2) to express simultaneous or undelayed occurrence of two events (no sooner than, as soon as); ते च प्रापुरुदन्वन्तं बुबुधे चादि- पूरुषः R.1.6;3.4;11.5,81; Ku.3.58,66; Ś 6.7; Māl.9.39.
    -Comp. -आदि a Gaṇa of Pāṇini (including the indeclinable particles, P.I.4.57).
    -कारः the particle च; P.II.3.72, Kāśi.
    -समासः a Dvandva compound; Vop.

    Sanskrit-English dictionary > ङु _ṅu

  • 13 Creativity

       Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)
       Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)
       There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)
       he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)
       he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)
       From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)
       Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)
       The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)
       In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)
       he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)
        11) The Earliest Stages in the Creative Process Involve a Commerce with Disorder
       Even to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)
       New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)
       [P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....
       Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)
       A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....
       Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)

    Historical dictionary of quotations in cognitive science > Creativity

  • 14 решение

    solution, decision, determination
    Альтернативное решение, данное Смитом [1], состоит в следующем... - An alternative solution given by Smith [lj is...
    Более стандартным (= обычным) является представление решения в терминах... - It is more usual to express the solution in terms of...
    Более удобные формы решения были получены Смитом [1]. - More convenient forms of solution have been obtained by Smith [1].
    Более удовлетворительное в этом отношении решение получается... - A more satisfactory solution in this regard is obtained by...
    Будем искать решение в виде... - Let us seek a solution of the form...
    В подобных случаях можно использовать приближенное решение. - In such cases, approximate solutions may be used.
    В этом случае наше решение более не является точным, потому что... - Our solution is no longer exact in this case, because...
    Давайте использовать это решение, чтобы получить... - Let us use this solution to obtain...
    Данное решение противоречит физическому смыслу в том, что... - A nonphysical aspect of this solution is that...
    Данные результаты могут быть использованы для проверки численного решения. - These results provide a useful check on numerical solutions.
    Для этой дилеммы не существует настоящего решения. - There is no real solution to this dilemma.
    Другой способ решения задачи начинается с уравнения... - Another attack on the problem starts from the equation...
    Еще более общие решения могли бы быть сконструированы (с помощью и т. п.)... - Still more general solutions may be constructed by...
    Здесь рассматривается общий метод получения этих решений. - A general method of obtaining these solutions is considered here.
    Имеются три способа решения такой задачи. - There are three ways of attacking such a problem.
    Итак, мы могли бы попытаться найти решение уравнения (1)... - Thus we may attempt to find a solution of (1) by...
    Качественное поведение решения легко представить графически, если... - The nature of the solution is easily pictured if we...
    Мы будем использовать это решение, чтобы построить... - We shall use this solution to construct...
    Мы ввели широкий спектр методов для решения... - We have introduced a wide range of procedures for solving...
    На интервале [0,1] имеется ровно одно решение х. - There is exactly one solution x in the interval [0,1].
    На самом деле данная проблема заключается в решении... - The problem is really one of solving...
    Наиболее элементарным способом решения уравнения (1) является... - The most elementary approach to the solution of (1) is...
    Нам необходимо определить решение... - We need to determine the solution of...
    Общее решение здесь невозможно, так как... - No general resolution is possible, since...
    Обоснованием для этой схемы решения служит то, что... - The justification for this solution scheme is that...
    Однако решения все еще могут быть получены, обращаясь к чисто численным методам. - Solutions can still be obtained, however, by resorting to purely numerical methods.
    Одно такое решение дается (формулой и т. п.)... - One such solution is given by...
    Окончательное решение является компромиссом между... - The final solution is a compromise between...
    Она (задача) будет иметь решение тогда и только тогда, когда... - This will have a solution if and only if...
    Очевидно, что эти решения не так ценны, как... - Clearly these solutions are not as valuable as...
    Перед тем как упростить данное решение, давайте проверим... - Before simplifying this solution, let us examine...
    Под решением этой задачи мы понимаем... - By solving this problem we mean that...
    Подобные решения наиболее полезны для вычисления... - Such solutions are most useful for calculating...
    Полное решение дается... - The full solution is given by...
    Получим теперь решение... - We shall now derive a solution of...
    Поучительно провести детальное решение... - It is instructive to carry out in detail the solution of...
    Прежде чем приступить к решению уравнения (3), мы сначала обсудим... - Preparatory to solving Eq. (3), we will first discuss...
    При а < 0 у уравнения (1) решение не существует. - Equation (1) has no solution for a < 0.
    При решении данной задачи валено отметить, что... - In solving this problem it is important to notice that...
    Приближенное решение получается... - The approximate solution is obtained by...
    Проблема... до сих пор не имеет удовлетворительного решения. - The problem of... has not yet been solved satisfactorily.
    Процесс решения усложняется наличием... - The solution process is complicated by the presence of...
    Решение может существовать только при выполнении следующих условий. - A solution can exist only under the following conditions.
    Решение не существует при р > 0. - A solution does not exist when p > 0.
    Решение подобной проблемы легко выводится из рассмотрения... - The solution to such a problem is readily deduced by considering...
    Решение этой дилеммы было предложено Смитом [1] в 1980 г. - A way out of this dilemma was proposed in 1980 by Smith [1].
    Решения этих уравнений можно получить графически (с помощью и т. п.)... - Solutions to these equations can be obtained graphically by...
    Решения этого уравнения называются... - Solutions to this equation are called...
    Решения этой задачи легко вытекают из... - Solutions of this problem follow readily from...
    Следовательно, мы обязаны изучить решения (уравнения и т. п.)... - We must therefore study solutions to...
    Следовательно, необходимое решение принимает вид:... - The required solution is therefore...
    Следовательно, полное решение имеет вид... - The complete solution is therefore...
    Следовательно, у нас получилось формальное решение для... - We therefore have a formal solution for...
    Следующий пример демонстрирует этот тип решения. - The next example demonstrates this type of solution.
    Существует много способов решения данной задачи. - There are many ways to solve this problem.
    Существуют разные пути решения этой задачи. - There are various ways of tackling this problem.
    Теперь у нас имеется полное решение для... - We now have a complete solution for...
    То, что данное решение является единственным, следует из... - That this solution is unique follows from...
    Точное решение возможно только если... - An exact solution is only possible if...
    Точные решения уравнения (1) могут быть получены в терминах известных функций, когда... - Exact solutions to (1) can be obtained in terms of known functions when...
    Чтобы завершить это решение, мы должны... - То complete the solution, we must...
    Эта глава представляет один подход к решению... - This chapter presents one approach to the solution of...
    Эта техника обеспечивает рациональный базис, на основе которого инженеры могут принимать решение относительно... - The technique provides a rational basis on which engineers can make decisions about...
    Эти уравнения имеют нетривиальное решение, только если... - These equations have a nontrivial solution only if...
    Эти уравнения редко имеют аналитические решения. - Analytical solutions to these equations are seldom possible.
    Это не будет точным решением, так как... - This will not be an exact solution since...
    Это решение можно получить наиболее просто, используя... - The solution is most readily obtained by the use of...
    Это решение основано на предположении, что... - This solution is based on the assumption that...
    Это решение основывается на предположении, что... - This solution is based on the assumption that...
    Это решение приложимо только если... - This solution applies strictly only when...
    Это уравнение имеет одно и только одно решение. - This equation has one and only one solution.
    Этот фундаментальный подход полезен при решении... - This fundamental approach is useful in solving...

    Русско-английский словарь научного общения > решение

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